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Rage
The
Goddess Camunda, India Central Medieval.
Pele,
Hawaii’s goddess of volcanic fire, is a hag. Her skin is rough and
black. She is a raging, destructive power. Camunda, an aspect of the
Hindu goddess Kali, dances in the cremation ground, eating corpses.
Her hunger can never be satisfied. In constant agony, she fills the
world with her terrible cries.
These
are lesbian images, kindred spirits to all Raging (Lesbian)
Feminists, patron saints of S.C.U.M. – the Society for Cutting Up Men.[i]
Anger and vengeance are powerful, creative forces in lesbian
responses to women’s oppression.
Aspects
of the gay and lesbian civil rights movement would have us forgo our
fury. Dressed in suits and ties, acting like respectable people, we
represent ourselves as innocent victims of unjust treatment. Our
wounds are honored, but not our rage, hostility, and aggression. In
contrast, the Queer movement of the 1990’s invoked the archetype
of the Destroyer, vivifying lesbian and gay identity.
“I
HATE STRAIGHTS,” the Queer Manifesto of 1990 reads. “They’ve
taught us that good queers don’t get mad. They’ve taught us so
well that we not only hide our anger from them, we hide it from each
other. WE EVEN HIDE IT FROM OURSELVES. We hide it with substance
abuse and suicide and overachieving in the hope of proving our
worth. They bash us and stab us and shoot us and bomb us in
ever-increasing numbers and still we freak out when angry queers
carry banners or signs that say, BASH BACK . . . . LET YOURSELF BE
ANGRY. Let yourself be angry that the price of visibility is the
constant threat of violence, anti-queer violence to which
practically every segment of this society contributes. Let yourself
feel angry that THERE IS NO PLACE IN THE COUNTRY WHERE WE ARE SAFE,
no place where we are not targeted for hatred and attack, the
self-hatred, the suicide – of the closet.”[ii]
The
Queer Manifesto catches “the pure rage that most of us had learned
to swallow,” Frank Browning writes.[iii]
We subdue our anger in the everyday acts of our lives – dropping our lover’s hand when we turn the corner, murmuring at
pictures of babies we are not allowed to play with, marking all the
weddings and anniversaries that celebrate heterosexual privilege,
carefully choosing where and when we are open about our evenings,
our households, our friends dying in mid-life.
The
Queer Manifesto continues, “The next time some straight person
comes down on you for being angry, tell them that until things
change, you don’t need any more evidence that the world turns at
your expense . . . . And tell them not to dismiss you by saying,
‘You have rights,’ ‘You have privileges,’ ‘You are
overreacting,’ or ‘You have a victim’s mentality,’ Tell
them, ‘GO AWAY FROM ME, until YOU can change.’ ”
Rage
is energy that allows us to use queer identity as a profound
interrogation of the straight world. If we are mad enough, we can
see straight as every unexamined life that reeks of unexamined
privilege. Straight is the preposterous designation of sexual
difference and indifference that orders the meaning of everything,
from apple pie to urban planning. We want to burn it down, shake it
up, tear it to pieces. Like the Ancient Greek Furies, we are
FURIOUS. We want justice, retribution, and torment for all who have
offended us.
Time
after time, lesbian and gay people relinquish their rage. We keep
greeting homophobia with gentleness, acceptance and love. At what
cost? If we always only forgo our anger, we give away our power.
Queer rage is what puts deviance back in sight. Anger lets us
acknowledge how our passions twist and redirect the meaning of
things. Instead of hopelessly affirming that we are ordinary people,
we can use homosexuality to rage against the suffocating weight of
ordinariness.
Western
culture represses consciousness of all the rage it generates; it has
never honored the Destroyer. In Ancient Greece, the Olympian Gods
banished the Furies – that fearful lesbian sisterhood with their taste for
vengeance.[iv]
Christianity would also resist or conquer the Destroyer, which is
identified with the Devil and with Death. The dream of modern mental
health likewise rejects destructive emotions: aggression, hostility,
cruelty, anger, revenge, retaliation. These denied emotions return
as the unacknowledged shadow, possessing personal and global
relationships. Being queer means we can engage the archetype. By
entering its mystery, we might assimilate its power, even while we
loosen its grip.
The
archetype of the Destroyer invites us to enter a deep sense of the
sacred. Most people see their gods as agents for fulfilling human
needs. They pray to have their wishes granted. Lesbian and gay
people know the futility of this puerile relationship with the
divine. When the world diverges terribly from our wishes, we are
offered an initiation. We sustain the Destroyer when we admit our
powerlessness without surrendering our rage. Forgoing the defenses
of denial or resolution, we can enter a more profound relationship
with the divine.[v]
If
we accept our powerlessness, anger and despair, and then begin
again, we may find a way of life that is not trapped in puerile
demands and self-centeredness. A new self, born in flames, can no
longer be constituted by personal appetites and wishes. When we are
furious enough to change the world, and grief-stricken enough to
work in love and community, we are empowered by the great lesbian
goddesses of Death and Destruction. Their faces tare terrible. Their
demands are gigantic. Their truths cannot be transcended. If we
accept the initiation, we can live inside the mystery. There rage is
so fierce, we flame and burn. If we are not consumed, we will be
transformed. Sifting through the ashes, we may just find a shiny,
miraculous new element. ▼
[i]
Valerie Solanas wrote and self-published the SCUM
Manifesto in 1967. It was reprinted in 1996 by AK Press, San
Francisco and Edinburgh.
[ii]
quoted in Frank Browning, 1994.
[iv]
see Aeschylus (525-456 BC), The
Eumenides.
[v]
This argument is indebted to Thomas Moore, 1994, (194).
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